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July 2008

31 July 2008

How do I love thee? Let me count the wAys.

Valentini & Co at One Life to Live are really trying to turn me into a dizzy fangirl worshipping everything they do like a cult member, aren’t they?

I mean, it’s not enough that they deliver good dialogue, drama, humour and stories across all the generations, now they go and cast A Martinez too.

Santa Barbara remains one of my favourite ever soaps, and some unnecessary story turns towards the end there aside, Cruz was always one of my favourite characters. Principally because Martinez did such a great job and is one of those perfect soap actors who would have chemistry with a rock (if not Eileen Davidson).

Plus, the wounded GH viewer in me can’t help but thinking “ha, now this is a way for another soap to show GH how it’s done”, this time in the “don’t waste great talent in crappo mob-tastic stories” category.

(via We Love Soaps.)

30 July 2008

Cliffhanger?

OLTL is doing so many things right. I will comment on many of them later in the week. However after Tuesday's episode I need to stop by and post about one of the things they have been doing frustratingly wrong. Especially in the last week.

Monday and Tuesday last week they had the great 40th anniversary episodes. Those episodes focused around three stories: the cheese-tastic goodness of Mendorra culminating in sending Sarah and Cristian towards a gigantic waterfall; Viki crashing Natalie's car after Tess diddled the brakes, dying and going to heaven and the impact on Dorian; and Rex and Bo being lighteninged back to 1968.

In the subsequent four episodes they followed Viki and Dorian. And Charlie. And Marty and Todd, and John and Blair, and Starr and Cole, and Addie and David, and Nora and Clint, and Gigi and Brodie.

However they went four whole episodes without returning to Mendorra at all. Now, I'm not in love with the Mendorra story. It's the weakest of the bunch. But still you don't send two characters hurtling towards "death" and then not return to any part of that story for a week.

They also took four episodes to return to Bo and Rex, but that was fine because although I much prefer that story it didn't involve a cliffhanger with any urgency.

As at the time of writing - after Tuesday's episode but before Wednesday's - they also still haven't returned to Tess, Natalie and Jared. When last seen Tess and Jessica were arguing over the fact they'd probably killed Viki by brake tampering, and Jared and Natalie had sent Viki out on a brief errand. Viki did in fact die and is now in the hospital and yet we haven't gone back to see any of Tess, Natalie or Jared noticing that Viki hasn't returned and may in fact be dead. And we know from the various morning after conversations from the quadrangle that doesn't yet know it's a quadrangle that it's now the next morning.

A day or so is fine. A week isn't. As a viewer I shouldn't be a bit frustrated about not seeing a story I don't care about for several days on end. And yet I am.

On a related note, who is currently running the Llanview PD? Ramsey is dead, Antonio and Talia are in Mendorra and John is on a lengthy booty call. Just a random question.

28 July 2008

The Week In Six, Mainly Insubstantial, Points

I have exactly six things to say about last week’s Days.

1. No Nicole was a real problem.

2. I think the wardrobe department likes Chelsea with Daniel about as much as the rest of us do given the way they keep dressing her in white in a manner which just seems to emphasise the age difference even further.

Having him greet her by kissing her on the top of the head doesn’t help either.

3. Heaven forbid, did Kayla and Steve actually have a conversation about her finding him in bed with Ava? No, no, I must have been hallucinating that. Seriously, that two part discussion was so, so overdue and unsurprisingly really well delivered. It might have actually been satisfying if it weren’t so unjustifiably long in coming.

4. I like that Philip feels guilty about Bo’s position in the great cover-up of...snore. Sorry. But frankly Philip spent the whole week coming off sounding whiney and self-centred: “how am I supposed to live with that?” etc.

5. Seriously, that train journey was/continues to be the longest trip through France ever taken.

6. I know I should be grateful that Marlena wasn’t wearing pink, but what was this outfit?


Caps courtesy NBC and Days2.

27 July 2008

Wow, that was quick

So Nelson Branco is reporting that Dena Higley has quit Days.

If it's true that was damn quick but hopefully it means that, for better or worse, the show will become less boring. Because, let's face it, if we're going to sum up her tenure on the show Boring is really the only descriptor that comes to mind.

We will see.

(Via Daytime Confidential.)

26 July 2008

More plays on history

A couple of nitpicks and a minor comment before I move on to some possibly gushing praise for OLTL (for better or worse).

Nitpick #1
I know that the current war has been going on interminably, but how did Gigi tell 10 year old Shane that a father who died before he was born was fighting in Iraq? There was no war in Iraq in 1997 or 1998, even if it feels like it’s been going on forever.

Nitpick #2
Even when it’s an anniversary stunt, and most of the other stories are more interesting, you don’t send people heading towards a major waterfall in a dingy and then not show it the next episode. Or the next two. Or the next three.

Minor Comment
Cole: “She won’t listen to me.”
Markko: “No, she won’t do what you say, that’s not not listening.”
And the equivalent from Langston to Starr. I really like Langston and Markko.

Now, on to the effusive praise.

First, Viki and Dorian. Is there another relationship like it between two women on soaps? Let alone two women in their 60s with all that history? Let alone two women in their 60s who are treated like the stars of the show? I don’t watch all the soaps of course, but I’m struggling to come up with anything like it. I’ve really enjoyed them, both on their separate paths and together, especially in Friday’s conversation, throughout the week. It’s like the perfect soap combination: two great actresses, two complicated characters, lots and lots of history and antagonism, nothing black or white, wind them up and let them go.

Then, the quadrangle that doesn’t yet know it’s a quadrangle that I am absolutely loving even though I suspect I’m meant to feel guilty about it. Todd, Marty, John and Blair are an interesting exercise for me in the benefits of knowing the history and the benefits of not knowing the history.

As I’ve mentioned before, when I came to this show I knew very little of the history. What I did know came purely through soap osmosis; soap magazines and the impressions I had from message boards and the like. As a result of that soap osmosis one of the things I knew about the show was that Todd’s rape of Marty was soap legend. Subsequently I went and researched that history of the show, and actually watched it, to inform the current story. Another thing I had coming to the show was more an impression than knowledge, and that was that John McBain had become the OLTL equivalent of Jason Morgan minus the status as a professional hitman. That is, ever present and do no wrong. Now, I have no idea if that’s true or not, though I can see the comparison between the two characters with the stoic, non-verbal personas. I never went back and studied the character’s history other than to get a general impression of how Marty “died” for the same reason as I looked into Marty’s rape. And the thing is that I quite like those stoic, non-verbal characters, including Jason if only he didn’t kill people for a living.

Now, watching this story, I feel like I have the best of both worlds. Every moment between Todd and Marty is influenced by the past, so I feel like I get a lot out of it by having gone back and looked into that past. At the same time I come at the John and Blair half of the story with no preconceived notions or dislikes and that allows me to enjoy the progression of that relationship without the burden of the past.

All of which is by way of really long background to the fact that aside from one false note I’ll get to in a minute, I loved both halves of this quadrangle this week. Loved.

With Marty and Todd it’s so twisted, but so layered. Todd is trying to get himself out of things, but at the same time I genuinely believe he’s trying to relieve her of all the pain. It’s so manipulative, but so, so, interesting. Watching him talking about himself in the third person with such dislike, but yet still lying, still totally utterly imperfect, it’s compelling. Trevor St John is doing a great job with the combination of manipulation and self-loathing. And Marty refuses to play victim, she wants to know, she keeps pushing, so even though she is being manipulated she doesn’t feel at all like a doormat to me. Frankly, I could watch scenes between them sitting in that bedroom talking – and drinking medicinal red wine –all week.

The false note for me was Blair’s aside to John about Todd’s behaviour being about Marty not forgiving him. I know soaps aren’t about subtlety, but that was too leading and unnecessary. Mainly because I don’t think it’s an explanation for Todd’s behaviour, but also because they’re doing such a good job of the complications on the Marty/Todd side of things that such a comment was just unnecessary even if it is a substantive driver of his persona.

That aside, I’m loving Blair and John too. I’ve liked them as friends over the last couple of months, grown up, battered friends (and to a degree Todd’s self-fulfilling prophecy). And while I knew it was coming, I was a little apprehensive about that turning romantic. I needn’t have worried, because not only did the progression feel organic as opposed to ham-fisted, that kiss was hot.

And there we have the advantages of having historical baggage with a soap and with having none at all.

25 July 2008

One Life to Live: Happy Birthday To Them, Happy Watching To Us

I’ll deal with the actual anniversary episodes on Monday and Tuesday on their own, even though two of the three stories continued beyond those two episodes.

A Little Bit of History Repeating. Great title, though I do now have Shirley Bassey in my head. In a good but relentless way. Of course that may also be because I couldn’t resist playing the song, on repeat, on iTunes while writing this post.

That personal aside aside, I loved these episodes. Why (especially given that my total history with this show dates back less than three months)? Because they were fun. They had historic resonance, and they were poignant, and they were fun. These episodes had the obvious hallmarks of shows written and produced by people who were having a good time and relishing wallowing in history. And when the writers and producers and performers are having a good time, then, almost invariably, so is the audience.

First, there were the more obvious nods to the origins of the show with the 1968 opening on screen and its creator Agnes Nixon as the Creator.

Then there was the soapy wink that involved even the heavenly tour guide being SORASd.

And then there were the stories.

The least successful was Mendorra, though the lack of feeling in that for me mainly involved the distraction brought about by Sarah’s boat appearing to remain anchored in the same place for several scenes after having been pushed out into the fast running river. The producer in me understands that, the viewer in me was distracted. As for the overall story, we’ll see how that turns out.

It was nice to see Cord though, a character I have never “met” but yet feel like I know at least a little thanks to my affinity with soap magazines in the 1980s when they were my only source of spoilers for the shows I watched and only proof of the existence of the many shows – including this one – that they never aired here in Australia.

Also, I had wondered why Sarah was suddenly dressed in a man’s shirt last week, but the flashback to Tina’s own waterfall plunge explained that nicely.

The appearance of Cord also highlighted one of the other things I really appreciated about these episodes, the little links between the stories. Cord was concerned about Sarah, but also talking to Clint about Bo.

I knew in advance that Bo and Rex were going back to 1968, but I thought it would be the actors playing other roles, not that the characters would be thrown back in time and mistaken for other characters (for you long-term viewers is that what you were expecting, is that how they did it last time?). I preferred it this way, because it added that extra element of fun as they tried to deal with what was going on.

The by-play between them throughout had me smiling. Especially when Gigi/Emma was around. I really like the Bo-Rex relationship, in 1968 or 2008. And Nigel as Chuck Snr was amusing, as was Rex’s reaction to him.

Bo and Rex’s story was then linked twice over with Viki and Dorian’s via both Asa and David.

I know Viki’s been to heaven before. Were there the layers of heaven last time? Regardless, I like Asa being the furthest from the goal. And arguing it with the higher ups. Unfortunately I didn’t “know” Asa, but nevertheless I suspect the lower levels were the best place for him. And that was neatly contrasted with Bo having a great time leaping into the Asa persona to clear the room once he realised what was going on. He did it so easily.

As great as Erika Slezak and Robin Strasser were over these anniversary episodes, my favourite performance came from Bob Woods. He was having such a great time and his asides – both in delivery and expression – were so much fun.

Leaving Texas behind, I also appreciated the way that Dorian had a large part to play in addition to Viki, as I hadn’t quite been expecting that. Having both women interact with their dead husbands brought a lot of emotion to proceedings.

The use of Mel, who of course I don’t know at all aside from scanning the web for some background, as Dorian’s conscience to give voice to the questions about the motivations behind her recent actions was great. To have him questioning her insecurities in relation to Viki in particular. On Viki’s side, there was quite a bit of Charlie propping going on, but really that’s just about her rationalising what she really wants to do, so I don’t mind so much. Also I like Charlie. But it was noticeable nevertheless and as a result I felt like there was more resonance with Dorian’s emotional roller coaster.

Also, of course, all of this produced some great lines.

Bo to Rex: “It could be worse. You could be Pa.”

“You named your son Balsom? What kind of a name is that?”
“It’s, um, from the Bible.”

“That means that if I never sleep with Emma, David Vickers will never be bor-“
“I can live with that.”
The speed with which Rex fed out the line was funny, but then we cut to David bargaining for Viki’s life and suddenly not so funny. In a great way.

“The only thing I know is that if I’m happy, and you’re happy, then we’re both happy.”
“And the fact I know exactly what you mean by that makes it the most convincing thing you’ve said.”

Happy Anniversary OLTL.


24 July 2008

Night Shift – Season 2, Episode 1: More Pros than Cons

A bit over a year ago, watching the first episode of the first season of GH Night Shift, I went with a pro and con theme. This year, coming into the first episode of the second season with a remarkable amount of goodwill, considering, I found myself going with the same theme. I hadn’t even planned it, just started making “pro” and “con” notes. After a while it started to feel familiar and I went back to that old post and confirming my suspicions.

So, pros and cons.

Pro: They got me back watching even though I didn’t get past episode three of the first season.

Con: Robin is 7 months pregnant but looks about 4 months pregnant (also a problem with GH: Normal).

Pro: Patrick and Robin = cute again.

Pro: I see no lurking CGI shots, but rather actual establishing shots of real, live places. See how much better that looks?

Con: Not all that enamoured with the new Dr Julian, especially not with his new typical medical show annoyed attending half training-half bullying interns persona.

Pro?/Con?: Dr Ford’s death was stupidly hilarious.

Con: Patrick as Chief of Staff? Hahahahahahaha. Then again, if this is this year’s equivalent of “Jason gets sentenced to community service as the night shift janitor while being in jail during regular GH” then I’m going to take it and run.

Con: Patrick throwing his newly found weight around immediately in an inappropriate manner.

Pro: Epiphany appears a more human and less annoying version of herself.

Pro: Jagger, towel

Pro: “What’s a Jagger?”

Con: There were some of the standard “new season/new show” clunky dialogue problems. Especially Patrick’s introductory speech and a bit of the early Jagger conversations. I know why they were there, but cliché, clunk, cliché even if it did involve remembering Karen.

Pro: They remembered Karen.

Con: Yeah, really don’t like what they’ve done with Dr Julian as a means of contrasting him with Dr Hippie Chick. This was the guy that played guitar for patients, not the guy who didn’t remember their names. And I didn’t care that much about the old version, I just think they might as well have cast the actor’s brother as the character’s brother rather than do a rewrite.

Pro: The car accident and subsequent stroke story and medical outcome was a nice little story with some resonance for Robin without being painful in the normal "this story will teach our main character a lesson" way.

Pro: The continued cast diversity, this time minus “my parents escaped from Iran, my parents escaped from Iran, my parents escaped from Iran”.

Pro: The new doctor Saira interacting with Robin in a fun friendly way. I think Saira suffered from her introduction via “banter” with Leo and “I am the Queen of Alternative Medicine” attitude, but as soon as they had her hanging out with Robin being a normal person I liked her.

Pro: “Leo” and Kyle arguing like 5 year old brothers in “Patrick’s” office.

Pro: The friend chemistry between Claire and Kyle.

Pro: Robin and Patrick working through their issues without having a repetitive conversation.

Pro: Jagger is an FBI agent and no mob anywhere.

So, all in all, pretty good. Radically good compared to the dreck I couldn’t watch last series and the daytime dreck I currently can’t watch.

I had two and a half major problems with it. First, the complete rewrite of Leo, they should have just written a new character. Second, related, the medical show cliché of Leo running down interns and clashing with the new alternative medicine doctor. Second and a half, some of the dialogue continued to suck. But compared to the problems last year, those are virtually nothing.

This wasn’t great TV, but it was watchable, mostly enjoyable TV, and we haven’t yet got to Robert Scorpio yet.

22 July 2008

This is What Happens When You Actually Name the Country…

Yeah, Days is still not really rocking very much is it? It is giving my fast-forward button a work-out and generating a series of random comments though.

First entirely random comment that’s not really about the show, per se: apparently NBC thinks this is a vital screencap to summarise last Tuesday’s episode:

Which is perhaps apt. Of the way I’m hardly wrapt with the show at the moment.

Being serious for a moment, I understand why Morgan is upset about her father, but why is she suddenly so dependant on and trusting of Philip? She was never stupid before. I have no doubt that Philip’s feelings for her are genuine, and we know he didn’t have her father killed, but he’s smack-bang in the middle of this mess and she knows it. So it does the character, and the potential couple, no favours at all. It makes her look stupid and him look completely opportunistic.

Bo hiding the Philip information is rather out of character but his half-hearted pangs of guilt are not interesting enough to make it compelling. Even though Victor’s heart palpitations of emotional blackmail were classic.

Being less serious, I’m almost disappointed to see we have maps of actual countries in Europe now.

Damn Ed Scott, I’m going to miss the gang’s various adventures in Downtown Europe. And specifying a train journey through France for Max and Stephanie, instead of the show’s previous fondness for generic European destinations, does raise some issues the writers apparently hadn’t considered. For example, the train journey across France doesn’t take that long.

In fact Paris to Marseille takes less than 4 hours. Certainly not long enough for Stephanie to discover Max was gone, hover around with family and friends, get going away berets, fly from Salem, USA to France, France and find the train. Even with the train “switching engines”. If Max was riding the Tour de France, maybe, but not riding the train. Well, I guess if we can’t have Downtown Europe any more, at least we can still have completely unrealistic travel times. If only I could find someone on the Days writing staff to plan my next trip to France so that my normal 27 hour journey takes about a 5th of that time, I’d be really happy.

Also, a related question: if I recall correctly (and I do), Max lost all his race driver/garage money when he hocked the garage to invest in Jeremy’s Salem-Las Vegas totally illegal human trafficking airline, and has recently been doing presumably unpaid community service on the docks in penance for hiding the body of the guy who raped his girlfriend/niece after his ex-girlfriend/niece accidentally killed him. In addition he has been working as a presumably underpaid bartender at his parents’ pub after his father died. So, how is he paying for this trip to France? In a first class compartment?

Wholly unrelated question: exactly why is Marlena being dressed exclusively in bubblegum pink recently?

Semi-related comment: hee!

Comment two steps removed: hey, Sami and Lucas remembered for half a second on Friday that Will exists. Remarkable. But then they forgot again because Lucas is only “fighting to come back to Ali”.

Finally, back to wardrobe issues, it may only be halfway through the year, but I think I can say with confidence that GH’s Carly has already been knocked off her perch as Queen of Horrid Soap Fashion. The runner up to that title last year has made a rapid and undeniable charge to the front. Yes, I give you Kate Roberts…

21 July 2008

Speed Up, Slow Down, Go Around

A lot of this past week’s OLTL was about getting everyone in place for this week’s 40th Anniversary celebrations, and lined up for a few other revelations.

It was quite an odd combination of short-cuts, diversions and drag-outs.

First, though, the one story that didn’t fall into that category: Teen Pregnancy Central. Although Marcie threatening to become a single mother to Starr’s baby is taking another step down the path to Junoland, I was unreasonably pleased to see Starr grilling Marcie about having a job before handing over the kid. How, un-soap in the midst of a really soapy story. And while the completely unrealistic last minute “meeting” at the Court to try and stop Starr signing adoption papers was ludicrous in the extreme at least it did get us to the point of sensibleness in the form of the judge. Or, the Judge. I like him, both for not taking a single second of Todd’s crap, and for pointing out that the kid’s not even remotely born yet so all this is a moot point. Finally, in this section, I really do like the friendship between John and Blair. And the Todd dartboard.

Now, having navigated my own diversion, let’s go back to the show’s. The biggest diversion was having Langston attempt to seduce David while Markko films in order to try and break up his marriage to Addie, all as a means of David finding Dorian’s rohypnol stash. I’m not sure why David couldn’t have just been ferreting around in Dorian’s closet looking for some evidence of what she did to Charlie – given he was already suspicious – or, you know, cash. Why instead they elected to have the fake teen seduction, which inexplicably took place in Dorian’s room, I’m not so sure. It did, however, deliver some amusement, not the least of which being Langston’s outfit.

Far more amusing to me though was the placeholder Battle for BE scenes between Clint, Nora and Dorian. Clint and Nora playing tag-team with glee even though they’re basically not speaking to each other. Nora commenting on the smell of nail polish in Dorian’s office, as that was the first thing I thought when they went into the room: that office is going to smell of nail polish. Clint playing charmingly dumb with Dorian about David and Addie’s wedding. Not to mention Dorian’s slightly unhinged reaction to them.

Dorian’s ebbs and flows are definitely one of the best things about this show. I’m not sure that waving garden sheers around in a car was such a great idea, but beyond that I really appreciate the way that Robin Strasser plays all the emotions just on the surface. She’s scheming and manipulative, but the evasiveness and insincerity and vulnerability and pride are all there. In her conversations with Clint and David and Viki this week, it’s clear Dorian’s by no means a perfect liar, and so much the better for it.

She was, however, part of the drag-out part of the week. The two-part drag-out being Tess’s multiple murder attempts. Exactly how far did Viki drive without ever putting her foot on the brake? Exactly why did she and Dorian – having spent the better part of an episode hanging out in the middle of the street debating which diversion to take – get in the damn car again if the brakes weren’t working properly? And I know the killer risotto didn’t look very appetising, but how long does it take someone to take a mouthful?

By the way, was Tess always this psycho? I know she’s meant to be a wild child, but she seems closer to outright insane. And Natalie has a vanity plate? She doesn’t strike me as the type. Tess, yes. Natalie, not so much. I liked the way Tess had break-line cutting instructions printed out though.

Over in Mendorra they decided to go with the opposite and having dragged stuff out last week, preferred the compression method of story-telling. So we rapidly have Tina and Cain dethroned, Jonas in their place – with nary a question asked by anyone at all – an arranged marriage planned between Jonas and Talia, a plan to have Cristian murder Sarah, and another to have Tina and Cain beheaded. Anything in a Fake Soap Country is going to be over-the-top, so why not go all the way? Actually, I genuinely don’t have a problem with that because it can be soapy fun. Well, only one problem with it and that was Talia’s pre-engagement detour into woe-is-me self-pity party over being Carlo’s – sorry, Carlo Hesser’s – daughter. That wasn’t attractive at all. Annoyed the hell out of me, in fact.

For Rex we had the short-cut followed by the drag-out. First, the soon to be patented Delfina Prophecy Short-Cut. Which I really don’t think I mind because she’s kind of fun. That gets Rex to Tex, where he then gets held up being word-vomited upon at the diner while Bo gets his own other worldly short-cut in the form of the Ghost of Asa. The baiting of Bo by Asa should have received more time I think, because it’s the perfect trigger for stupid behaviour but seemed to be over too quickly. Nevertheless all that served to reveal what we already knew, that Rex loves Gigi and that Bo’s a good guy and sometimes conflicted about it, and to get them both out riding in a rainstorm. Not the most artful way of achieving that, but at least now we’re set up for the Anniversary to come.

Also, I shouldn’t have been laughing at Rex’s face when he fell off the horse, but I was. And kind of, maybe a little, at the lightening VFX. And why, precisely, did Rex grab the fence?

Finally, the other point that felt like a short-cut to a reveal: Charlie finding out that Rex is Shane’s father. I’m not quite sure why I’m not really satisfied with how they got there. Brodie has certainly been established as a drinker from day one which is more than can be said for a lot of soap alcoholics, but I guess I feel that he hasn’t quite been on enough for it to feel real that Gigi was sending him off to AA right now. Or perhaps the feeling that it’s been rushed comes from the fact that he spilled the paternity secret to Charlie in the very first meeting. It would have been more soapy to have them play out a few meetings and then have the reveal. As it was actually carried out though, the alcohol problem simply felt like a means to an end.

Which is just to show precisely how fickle I am, because I was annoyed by this short-cut, but not by most of the others this week. Maybe that’s because most of the others were to get us to the specifically Anniversary-related stories and so had to be in a certain place by a certain time, whereas this story is on a much slower burn and so could have afforded to wait.

Anyway, I’m looking forward to this week and a little Event storytelling.

Favourite lines from last week:

“You were going for a swim weren’t you?”
“Was it the towel or swim trunks that gave it away?”

“Ok, I think a discussion of boundaries is appropriate here.”

“Where are you going?”
“Away from you.”
“Take a gas can.”
“Bite my knee.”

And especially:

“Am I asking too much?”
“No. Jessica is. Pesto risotto? We’re having green rice for dinner. Maybe we can frost some tofu for dessert.”


15 July 2008

Sex Revelation Monday

To the surprise of no one watching since a hospitalised Kate did a triple back-flip with pike and suddenly started avoiding Daniel instead of pimping her grand-daughter out to him, today it was revealed that Kate had slept with him herself.

Usually I would start the next sentence with “For those people who hate Chelsea-Daniel” except that category consists of Everyone, so instead I’ll go with…

For those people who hate Chelsea-Daniel with a passion as hot as the fire of a thousand suns, this may be a sign of the light at the end of the tunnel, or at the very least an obstacle in their relationship really worth clinging on to.

For the rest of us, who are icked out by their relationship but unwilling to work up any genuine energy fighting it, the revelation that he slept with her grandmother is really a cause of amusement more than anything else.

Amusement, principally, that the writers thought this was a good idea at all.

Amusement, secondarily, that the writers thought this was a good idea given Chelsea’s last, far more appropriate, boyfriend slept with her mother.

Amusement, thirdly, at Kate stating that she doesn’t usually sleep around. Hahahahaha. Let’s see, of the men currently on canvas or about to return she’s slept with Victor, Stefano, Roman, John, EJ and Daniel. Lucas and Phillip are her sons. Which leaves her pretty much with Bo, Steve, Max, Nick, Rolf and Abe to have a go at. And all of them except Rolf and Abe have at the very least dated if not slept with her daughter or grand-daughter, or both. And that's before we even start on her history as a literal whore.

Amusement, finally, at the thought of describing this story to anyone. How about: Originally stillborn in a swamp, college student-occupational therapist Chelsea, still wounded by the fact her last boyfriend lost his virginity to her mother, will soon discover that her globe-trotting bohemian commitment-phobic surfer boyfriend, who is old enough to be her father, had sex, possibly multiple times, with her grandmother.

One can only hope there’s some kind of food fight when she finds out. Kate could use some mashed potato or lemon meringue pie in her hair. Actually, they both could.

Photobucket

Speaking of other sex revelations:

“Do you call your Mommy every time you have sex?”

The Chloe-Nicole completely accurate tag-team on Sami was fun to watch.
PhotobucketPhotobucket

As was their history hash-over and bonding session over martinis. I guess the slot of Nicole’s drinking buddy has been filled quickly in anticipation of Ava’s departure. I like this slightly antagonistic version of the boozy girlfriends.

But really, I don’t quite know what Sami did to annoy me so much that I’m enjoying the hell out of her being shafted left, right and centre, but I am enjoying it. So, carry on.